Awards and Announcements

Meet Dr. T. Patrick Carrabré, UBC School of Music's new director

Dr. Patrick Carrabré

Dr. Patrick Carrabré

The University of British Columbia welcomes Dr. T. Patrick Carrabré as the new Director of the School of Music. An internationally renowned composer, teacher, and media personality, Dr. Carrabré will assume the role starting July 1st, 2019.  

“I am delighted that Dr. Carrabré will take on the leadership of the School of Music. His impressive track record as an artist and administrator at the highest levels will make him a tremendous asset to our students, to our renowned School of Music, and to the UBC Arts and Culture District as a whole,” said Dr. Gage Averill, Dean of the Faculty of Arts at UBC. 

Dr. Carrabré comes to UBC from Brandon University, where he has served as Dean of Music and Vice-President, Academic and Research. He takes over at the School of Music for Acting Director Dr. Alexander Fisher. 

“We all look forward to working with Pat as we embrace the many opportunities in front of us,” said Dr. Fisher. “Times of transition always involve some uncertainty, but Pat’s steady hand and brilliant mind give all of us confidence that we will have great years ahead under his leadership,” Dr. Fisher said. 

Dr. Carrabré joins the UBC School of Music at a time of growth and excitement. With a 110-student symphony orchestra, ambitious opera, choir and band ensembles, and thriving musicology, ethnomusicology, theory and composition programs, it is one of the largest and most exciting music schools in Canada. Every year the School of Music graduates artists, scholars, producers, and educators who go on to win international awards and perform on some of the world’s biggest stages.  

“I feel privileged and excited to take on this role of supporting the outstanding faculty, students and staff in the School of Music,” Dr. Carrabré said. “I’m also looking forward to developing connections with Vancouver’s vibrant artistic community.” 

Dr. Carrabré is an acclaimed artist-researcher in his own right. Construction of identity is a long-term theme, manifesting in his compositions, concert and radio programming, and administrative activities. The creation of shared musical spaces with indigenous and non-western musicians has also been a significant theme of his work since before the dawn of the Truth and Reconciliation era.

For well over a decade, he worked closely with the Winnipeg Symphony Orchestra, including six seasons as composer-in-residence and co-curator of the orchestra’s New Music Festival. Carrabré’s best known compositions include Inuit Games, for throat singers (katajjak) and orchestra, Sonata No. 1, The Penitent, for violin and piano, From the Dark Reaches, and A Hammer For Your Thoughts….

Together these works have earned two Juno nominations, a recommendation at the International Rostrum of Composers (2003), a Western Canadian Music Award (Best Classical Composition) and two other WCMA nominations.

Also active in the media, Dr. Carrabré served two seasons as the weekend host of CBC Radio 2’s contemporary music show The Signal. 

For media interviews, please contact Erik Rolfson at UBC Public Affairs.


WATCH: Throat singers Inukshuk Aksalnik and Pauline Pemik perform Dr. Patrick Carrabré’s Inuit Games with the Toronto Symphony Orchestra

Beyond the Gates: Performances in North America and Asia, a conducting residency, and choral music galore

Corey Hamm and Nicole Ge Li of the Piano and Erhu Project

Corey Hamm and Nicole Ge Li of the Piano and Erhu Project

Dr. Corey Hamm, Professor of Piano, won UBC’s Dorothy Somerset Award for excellence in performance. The award recognizes faculty who have made outstanding contributions to art, music, creative writing, theatre or film. With PEP (Piano and Erhu Project), Dr. Hamm and Nicole Ge Li premiered the full orchestra version of Dr. Dorothy Chang’s double concerto Gateways in Seattle with conductor Julia Tai and Philharmonia Northwest. He also embarked on several tours: a solo piano tour of Asia (Hong Kong, Chonburi, Taipei, Shanghai, Beijing) with masterclasses and lectures, and a debut Atlantic tour with PEP. He performed Prokofiev Piano Concerto No. 3 in Minneapolis with conductor Yuri Ivan, gave three solo recitals with masterclasses in Alberta, and was the pianist for an educational outreach composition program with Vancouver’s Turning Point Ensemble.

In March, Dr. Graeme Langager and the University Singers performed with famed soprano Sarah Brightman at the Queen Elizabeth Theatre in Vancouver.

Dr. Jonathan Girard conducting the Eastman School Symphony Orchestra

Dr. Jonathan Girard conducting the Eastman School Symphony Orchestra

Dr. Jonathan Girard, Director of Orchestral Activities, led the Eastman School Symphony Orchestra in a concert in Kodak Hall in Rochester, New York in February.  The program included Poulenc’s Orchestral Suite from Les Animaux Modeles, Prokofiev’s Piano Concerto No. 3 in C Major (featuring Fantee Jones, piano), and Franck’s Symphony in D Minor. The concert was the culmination of Dr. Girard’s residency as a visiting professor of conducting at Eastman, where he taught the graduate orchestral conducting students of Neil Varon.

Dr. Girard and Dr. Robert Taylor, Professor of Conducting and Ensembles, presented a special session at the College Band Directors National Association Conference. The session, titled “Maestro Media: Harnessing technology in the evolution of the 21st Century ensemble program,” highlighted the cutting-edge technology they are using with conducting courses and large ensembles at UBC.

In March and April, many different works by Dr. Stephen Chatman, Professor of Composition, were performed across North America. Highlights include the Young New Yorkers’ Chorus performance of Time Pieces in New York, Tapestry Choir and York Chamber Ensemble’s performance of Peace in Newmarket, Ontario, and a special performance of Proud Music of the Storm by the Chorale, an oratorio choir of 150 singers from Bryn Mawr and Haverford Colleges in Haverford, Pennsylvania.

Research and Publications: Rossini, 'Repeated Borrowing,' and RRC residencies

Balinese composer Dewa Alit

Balinese composer Dewa Alit

The Rhythm Research Cluster (RRC) closed its initial funded period with two exciting residences that brought innovative Balinese composer Dewa Alit, and the popular music scholar Anne Danielsen, director of the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion (Norwegian Centre of Excellence, Oslo) to the School of Music. Organized by Prof. Michael Tenzer, Alit’s residence culminated with a public performance at Western Front by School of Music students and alumni of works by Alit and others — including the world premiere of Alit’s RRC-commissioned work, “Simalakama.” During Danielsen’s residence, graduate students and faculty participated in a workshop on micro-rhythmic analysis; the residence closed with a Music Colloquium Series lecture on the impact of digitization on rhythm and groove in African-American popular music. 

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Prof. David Metzer published “Repeated Borrowing: The Case of ‘Es ist genug’” in the Journal of the American Musicological Society. The article explores “a group of songs that musicians have frequently taken up in creating new works, from the chanson ‘L’homme armé’ in Renaissance masses to ‘Apache’ in hip hop tracks… and provide[s] the first study of repeated borrowing and trace[s] it across centuries and genres.”

Prof. John Roeder published “Lines in Harmony: Types of Cooperation in Four Recent Chinese Compositions” (“和声中的声部线条:近期中国四部音乐作品中的声部协作类型” translated by Zheng Yan) in Music Research, the leading peer-reviewed academic journal of music theory in China. And, picking up on an item from the last issue of High Notes, Prof. Roeder’s keynote address to the Meter Symposium 3 in Sydney, Australia is now available to watch here. 

Dr. Brandon Konoval published a new article, "From Sexuality to Governmentality: The Oedipus Complex of Michel Foucault," in Modern Intellectual History. The article looks at how “Foucault's attention to classical texts—in particular the Oedipus Tyrannos of Sophocles and the Republic of Plato—thereby helped to clear a critical pathway through the conventional Marxism embraced by the “repressive hypothesis,” and to arrive at a Nietzschean genealogy of sexuality and power.”

Rossini

Rossini

Dr. Claudio Vellutini published a new essay, "Rossini's Operas in Vienna and the Politics of Translation, 1816-1822," in Gioachino Rossini 1868-2018, a new volume celebrating the 150th anniversary of Rossini's death (Pesaro, Italy: Fondazione Rossini, 2019). Dr. Vellutini also presented a paper on the composer, "Rossini's German Singers (Vienna, ca. 1817-1825)," at the international conference Beethoven und Rossini in ihrer Epoche organized by the Beethoven-Haus in Bonn and the University for Music and Dance in Cologne. 

 

Catching Up with Our Students: Concerto Competition winners, NYO positions, and student leadership awards

Aydan Con and Dean Gage Averill

Aydan Con and Dean Gage Averill

In March, dual BMus/BSc student Aydan Con won the Dean’s Outstanding Leadership Award for Contribution to the UBC Community and Beyond, for playing “a crucial role in two projects involving curricular redesign. Through these projects, [he] supported the introduction of new evaluation and teaching methods to deepen Music students’ connections to transferrable workplace skills, as well as evaluation of undergraduate student mental and physical wellbeing in relation to academic workload demands.” Aydan helped launch ChamberFest in February and also volunteered at the Downtown Eastside Saint James Music Academy and the Canadian Blood Services. This is the first time a UBC Music student has received the distinction. The award was given by Faculty of Arts Dean Gage Averill at the Dean’s Reception for Graduating Arts Student Leaders.

A number of School of Music students have won spots with the 2019 National Youth Orchestra of Canada (NYOC). Congratulations to BMus students Jonathan López (clarinet), Katelynn Whittle (oboe), Jesse Guo (percussion), Nina Weber (viola), Alexander Knopp (violin), and Alexander Beggs (viola)! The NYOC Residency runs from June to August, with the orchestra embarking on a two-month tour across Canada and Spain.   

MMus conducting student Jaelem Bhate

MMus conducting student Jaelem Bhate

MMus conducting student Jaelem Bhate (BMus’17) was awarded the 2019 Nestor Korchinsky Student Leadership Award at the UBC Student Leadership Conference, in recognition for his work as a conductor (National Academy Orchestra, UBC Symphony Orchestra, Vancouver Philharmonic), with the 45th Ave Jazz Band, and as a composer. Bhate also released his first album, On the Edge with the Jaelem Bhate Jazz Orchestra in March.

 

DMA student Benjamin Hopkins advanced to the semi-finals of the Kosciuszko Foundation Chopin Piano Competition held this March in New York.

BMus students Nina Weber (viola), Markus Masaites (piano) and Jonathan Lopéz (clarinet) performing at the Friends of Chamber Music competition

In March, two School of Music chamber groups won prizes at the Friends of Chamber Music’s 65th Annual Young Musicians Competition. Genesis Trio, featuring BMus students Nina Weber, viola, Jonathan López, clarinet, and Marcus Masaites, piano, won co-First Prize in the Senior Group (up to age 26), for their performance of Beethoven’s Piano Trio in B flat major, Op. 11, No. 3. Third Prize (and the Audience Prize) went to MMus students Carlos Savall-Guardiola, clarinet, Susie Jiwon Yoo (BMus’18), cello, and BMus student Ayunia Indri Saputro, piano. They performed Brahms’s Clarinet Trio in A minor, Op. 114. The competition was adjudicated by Prof. Sara Laimon, Director of the McGill Conservatory of Music.

Concerto Competition winner D’Arcy Blunston (Photo: Takumi Hayashi)

Concerto Competition winner D’Arcy Blunston (Photo: Takumi Hayashi)

Congratulations to everyone who competed in the 2018–19 UBC Concerto Competition! Open to all School of Music students, the annual competition is an opportunity for young musicians to earn a coveted spot as a solo performer with the UBC Symphony Orchestra. This year’s winner was lyric soprano D’Arcy Blunston. She performed Britten’s Les Illuminations de Rimbaud, Op. 18. First runner-up was pianist Markus Masaites, who performed Mozart’s Piano Concerto in No. 18 in B-flat major, K. 456. Second runner-up was pianist Yu-Hsien Lin. She performed Schumann’s Piano Concerto in A minor, Op. 54. D’Arcy will perform with the UBC Symphony Orchestra on April 6th at the Chan Centre.


UBC student Andrea Wong demonstrates CHIMIRA, a kind of interactive mixing board that combines LEGO Duplo, a webcam, and code

Kinesiology major and Music and Technology student Andrea Wong recently received one of six sound Place and Sound artist residencies from the Media Arts Committee, for her Applied Music Technology capstone project. Inspired by people who experience synaesthesia, Andrea designed an instrument that translates data associated with specific colours into sonic effects — which she has dubbed CHIMIRA (Colour-Hearing Interface + Motion-Image Relaying Apparatus). Andrea provided a simple example of how the instrument might work when it’s completed: “When CHIMIRA ‘sees’ a red object, this could trigger, say, bell sounds, and moving the red object up and down would cause the sounds to move up and down in pitch. This could be volume, amount of reverb, or any other aspect of sound that can be manipulated. Several red objects could create a denser, more rich texture of bells that, when moved, change in that processed aspect of their sound. There are countless combinations of audiovisual art this instrument can produce!” She will demonstrate the instrument at the UBC Bang! Festival on April 17th.

UBC alumni win at the 2019 Juno Awards

James Parker

James Parker

Congratulations to pianist James Parker (BMus’85) and baritone Tyler Duncan (BMus’98) for their wins at the 2019 Juno Awards!

With his group the Gryphon Trio, Parker won the 2019 Juno Award for Classical Album of the Year: Solo or Chamber for their album The End of Flowers: Works by Clarke and Ravel (Analekta). The Gryphon Trio were also nominated in the Classical Album: Large Ensemble category, for their collaboration with the Thunder Bay Symphony Orchestra on Into the Wonder.

Duncan (BMus’98) appeared as a soloist on the Toronto Symphony Orchestra’s Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade to Music; Flos Campi (Chandos), which won the Juno Award for Classical Album of the Year: Large Ensemble. The album was earlier nominated for a Grammy Award.

The awards were held in London, Ontario on March 17th, 2019 and hosted by Sarah MacLachlan.

Success stories for International Women's Day

It’s International Women's Day! Let’s pause to celebrate the incredible women who have graduated from the School of Music over the years. Here are recent profiles of just a few of the musicians, composers, producers, and other alumni from the School:

Dr. Laurel Parsons and Dr. Brenda Ravenscroft

Dr. Brenda Ravenscroft, left, and Dr. Laurel Parsons, right

Dr. Brenda Ravenscroft, left, and Dr. Laurel Parsons, right

 “There’s so much wonderful music that you learn in university. Not to take anything away from that, but once you start looking for music by women, or people who are not white men, in particular because classical music is such a Eurocentric discipline, it really becomes shocking to see how narrow that representation of composers really is... we wanted to change that.”

–Dr. Laurel Parsons (MA’91, PhD’03) talks about Analytical Essays on Music by Women Composers, the award-winning book she co-edited with Dr. Brenda Ravenscroft (PhD’93) which tackles the problem of representation in the Western musical canon.

Read more


Hildegard Westerkamp and Kiran Bhumber

Kiran Bhumber (left) and Hildegard Westerkamp (right)

Kiran Bhumber (left) and Hildegard Westerkamp (right)

“Listen to where your passion is located, where your skill is located and how that resonates with which part of society. Trust your own ears, trust your own inclination on, especially for women, where your interests lie.”

– Pioneering sound ecologist Hildegard Westerkamp (BMus'72) and up-and-coming composer, producer, and performer Kiran Bhumber (BMus’14) discuss tech, gender, and “trusting your inner voice”

Read more

 
Suzanne Windsor-Liscombe

Suzanne Windsor-Liscombe

Suzanne Windsor-Liscombe

“I used to play for ballets, musicals, sing in choir, direct things, teach, go to concerts. All of that was just completely washed out when I couldn’t hear anymore. I think composition saved me…. More than anything else I’ve done in music, this makes me the proudest.”

– Musician and educator Suzanne Windsor-Liscombe (BMus’80, DipEd’91, MEd’92, EdD’14) talks about how she lost her hearing and found her true calling — as a composer of children’s operas

Read more 

Awards, fellowships, and new albums

Jocelyn Morlock

Jocelyn Morlock

2018 was a great year all around for our alumni and faculty. Here are some more stories worth celebrating:

Composer and instructor Jocelyn Morlock (MMus’96, DMA’02) won Classical Composer of Year at the 2018 Western Canadian Music Awards, a Juno Award for Best Classical Composition for her orchestral work, “My Name Is Amanda Todd,” and the Jan V. Matejcek New Classical Music Award from SOCAN (Society of Composers, Authors and Music Publishers of Canada).

UBC Opera director Prof. Nancy Hermiston was inducted into the British Columbia Entertainment Hall of Fame and also received the Faculty of Arts 2017-18 Dean of Arts Award, the most prestigious award that the Faculty bestows on a colleague, in recognition of her outstanding contributions to creative research, teaching, and service to UBC and the broader community. As part of the award, she was bestowed with the title of Professor Emerita.

Pianist Nicole Linaksita (BSc/BMus’16) won the Orford Music Prize, a scholarship covering accommodation and tuition for an advanced program at Orford Music in 2019. Her other prizes this year include the Tom Cuff Award for Best Performance of a Canadian Work; the Linda Stobbe Memorial Award as the winner of the National Piano Class; and the Marilyn Wiwcharuk Memorial Scholarship for the Outstanding Performance at the Vancouver Kiwanis Festival. She also won first prize in the Senior Category at the Vancouver Metropolitan Orchestra’s Clef Concerto Competition and will be playing with the VMO next season.

Simone Osborne

Simone Osborne

Soprano Simone Osborne (DMPS'09) released her debut album, Simone Osborne: Live in Concert with Anne Larlee, and was nominated for the 2018 Dora Mavor Moore Award for Outstanding Performance – Female (Opera Division) for her role as Adina in The Elixir of Love with the Canadian Opera Company.

Music theorist Antares Boyle (PhD’18) was awarded the prestigious 2018 SMT-40 Dissertation Fellowship from the Society for Music Theory.  Her dissertation project, “Formation and Process in Repetitive Post-Tonal Music,” theorizes how musical segments, processes, and larger forms arise in recent post-tonal works that feature extensive varied repetition. Dr. Boyle completed her dissertation in August and is now teaching at the University of Northern Colorado.

Mezzo soprano Simran Claire (BMus'18, current MMus student) won a position with the Glimmerglass Ensemble and will begin performing with the ensemble in June 2019.

The 2019 UBC Concerto Competition winners

D’Arcy Blunston

D’Arcy Blunston

Congratulations to everyone who competed in the 2018/19 UBC School of Music Concerto Competition!

Open to all music students, the annual competition is an opportunity for young musicians to earn a coveted spot as a solo performer with the UBC Symphony Orchestra.

Markus Masaites

Markus Masaites

Competitors select virtuoso works which highlight their exceptional technical and expressive abilities as musicians. There were many entries in the competition and the performance level was extremely high, as always.

Yu-Hsien Lin

Yu-Hsien Lin

This year's winner is D’Arcy Blunson (voice) for her lyrical performance of Britten's Les illuminations de Rimbaud, Op. 18

The first runner-up is Markus Masaites (piano), for his excellent performance of Mozart’s Piano Concerto in No. 18 in B-flat major, K. 456. The second runner-up is Yu-Hsien Lin (piano) for her terrific performance of Schumann’s Piano Concerto in A minor, Op. 54.

D’Arcy wins the opportunity to perform as the soloist with UBC Symphony Orchestra on Saturday, April 6th at 7:30 p.m.


Photos: Takumi Hayashi/UBC

Why study at the UBC School of Music?

why-ubc-music02.jpg

By Katherine Evans, Admissions Manager


Hello and thanks for visiting the School of Music's Admissions Blog!

We’re delighted that you're here. If you are a prospective student, this is the space to find out everything you need to know about applying to, and studying at, the UBC School of Music — from the different undergraduate and graduate programs we offer, to our fantastic ensembles, to our internationally renowned (and friendly!) faculty.  

Over the coming weeks and months, we'll share tips on how to navigate the application process and prepare for your audition, and we'll take you inside the School to see what it's like to be a part of our community of scholars, composers, and performers. We'll remind you about deadlines and answer some common applicant questions. So please stay tuned!

In the meantime, let's kick things off with a quick tour of the School and what we have to offer.

The University of British Columbia is a big, diverse institution, with every imaginable academic program and a student body of over 60,000. Within UBC, the School of Music gives you the experience of studying at a small school — we are a community of about 300 undergraduate and 100 graduate students — with the resources of a big, top-ranked university.

Our degree programs

For undergrads, we offer a four-year course of study leading to the Bachelor of Music (B.Mus) and — with the Faculty of Arts — the Bachelor of Arts, Major in Music. For students whose first love is music but who are committed to studying science, arts, education, or business, we also offer dual degreesdouble majorsminorsdiploma programs.

For grad students, we offer Master's and doctoral degrees in three broad fields of specialization: performance, composition, and music scholarship.

Career development — while you study!

As much as possible, the School of Music helps students to explore and develop different career opportunities while still studying. That's because unlike law, medicine or engineering, there is no single path for musicians and music scholars, post-degree. So whether you plan to pursue a career as an orchestral musician, a scholar, an educator, or a producer, you can get a head start by:

Check out our huge concert archive to get a sense of just how good our students are. For starters, here's a clip of UBC Symphony Orchestra and Choirs performing the finale of Mahler's Symphony No. 2

Dedicated, award-winning faculty 

All School of Music students, whether performers or scholars, work closely with our award-winning faculty. Our faculty compose music regularly heard on the world’s stages, perform around the globe, publish in top journals, jury international music competitions, and record critically acclaimed and best-selling recordings. Whatever your interests or instrument, our faculty is friendly and engaged in your learning experience.  Here’s just a short list: 

  • Eric Wilson, cellist and founding member of the Emerson String Quartet

  • Jose Franch-Ballester, clarinetist and chamber musician, hailed by the New York Times for his “technical wizardry and tireless enthusiasm"

  • Alexander Fisher, musicologist and author of Music, Piety, and Propaganda

  • J. Patrick Raftery, tenor and performer with the Metropolitan Opera, La Scala, Royal Covent Garden

  • Dorothy Chang, composer whose works have premiered with the Seattle Symphony, VSO, Pittsburgh Symphony, and St. Paul Chamber Orchestra

In the coming weeks, we'll introduce you to more faculty and take you inside the studios where much of your musical education will happen.

Come visit us and attend a free concert!

Katherine Evans

Katherine Evans

Prospective students can meet faculty members by attending any number of concerts on campus from now until April. We invite you to attend our large ensemble concerts, performed by the UBC Choirs, Bands, and Orchestra, Opera productions held in the Chan Centre for the Performing Arts and the Old Auditorium.

Feel free to contact me for free tickets for certain events. A lot of our chamber music, divisional recitals, and student recitals are already free — just come and see!  If you’re applying from a distance, check out our concerts on Livestream and imagine yourself here!

Questions? 

Do you have questions about the application process? You are not alone! Sometimes the application process can seem complicated. If you'd like to talk to someone about the graduate or undergraduate programs here at the School of Music, please do get in touch. 

Juliet O’Keefe, our Graduate Admissions Secretary, is the point person for graduate program information, and I am your primary contact for the undergraduate (B.Mus. and Diploma) programs. Robert Ablenas is our Music Advisor and can give detailed information about certain programs.


Updated from Nov. 17th, 2017

Comings and Goings

Dr. Valerie Whitney and Dr. Richard Kurth

Dr. Valerie Whitney and Dr. Richard Kurth

This summer, Dr. Richard Kurth completed his second term as Director of the School of Music. In June he published “A Letter, a Soliloquy, two Duets, and a Sextet,” his reflections on the School and his time at the helm.

Following in his footsteps for the 2018-19 academic year is Dr. Alexander Fisher, in the role of Acting Director, and Dr. John Roeder, as Associate Director for term one, and Dr. Keith Hamel, Associate Director for term two.  Thank you, Dr. Kurth, and welcome, Drs. Fisher, Roeder, and Hamel!  

Dr. Valerie Whitney joined the School of Music as Assistant Professor of Horn , starting in the 2018-19 academic year. An accomplished performer and teacher, Dr. Whitney will play a leading role in the brass division at the School of Music. Her duties will include undergraduate and graduate studio instruction, brass chamber music coaching and coordination, and brass curriculum leadership — all while working in partnership with our accomplished team of VSO principals and other top professionals in the city.

Sessional lecturer and alumna Dr. Laurel Parsons (MA’91, PhD’03) recently accepted a full-time position as Associate Teaching Professor of music theory and aural skills at the University of Alberta.

Beyond the Gates: The Western Canadian Music Awards, a B.C. Entertainment Hall of Fame induction, Bands tour, and more

Robert Taylor, Nancy Hermiston, and Turning Point’s Jeremy Berkman

Robert Taylor, Nancy Hermiston, and Turning Point’s Jeremy Berkman

This November, Prof. Nancy Hermiston was inducted into the British Columbia Entertainment Hall of Fame alongside renowned tenor and School of Music alumnus Ben Heppner (BMus’79). Prof. Hermiston this year also received the Faculty of Arts 2017-18 Dean of Arts Award, the most prestigious award that the Faculty bestows on a colleague, in recognition of her outstanding contributions to creative research, teaching, and service to UBC and the broader community. As part of the award, she was bestowed with the title of Professor Emerita.

In October, composer and instructor Jocelyn Morlock (MMus’96, DMA’02) won Classical Composer of Year at the 2018 Western Canadian Music Awards. The award is the latest highlight in a big year for Morlock that also includes a Juno Award for Best Classical Composition for her orchestral work, “My Name Is Amanda Todd” and the Jan V. Matejcek New Classical Music Award from SOCAN (Society of Composers, Authors and Music Publishers of Canada).

The WCMA Classical Composer category was dominated by faculty and alumni from the School of Music’s vibrant Composition Division, including Morlock, Prof. Keith Hamel, and Prof. Stephen Chatman.

In March, Director of Bands Dr. Robert Taylor and the UBC Symphonic Wind Ensemble were invited by peers to perform at the College Band Directors National Association regional conference held at Sonoma State University. The tour included residencies with several of the San Francisco Bay Area’s top high school bands, and culminated in a featured performance at the Green Music Centre’s acoustically-stunning Weill Hall.

Harpist and adjunct professor Elizabeth Volpé Bligh was featured on the cover of Harp Column and interviewed in a story about her long and varied career as a teacher and performer.

This fall, Dr. Terence Dawson, chair of the keyboard division, partnered with soprano Theresa Plut from the University of Ljubljana in Slovenia to give two recitals sponsored by the Honorary Consul of Slovenia, Dr. Margaret Rudolf. The recitals featured songs of Strauss, Mahler and Wolf as well as Slovenian composers Benjamin Ipavec, Anton Lajovic and Vasilij Mirk. These concerts were in addition to Prof. Plut's work as a visiting scholar with voice and opera students and in the Collaborative Piano classes of both Dr. Dawson and Prof. Rena Sharon.

In June, the award-winning Turning Point Ensemble — which features UBC faculty members Brenda Fedoruk (flute), Jeremy Berkman (trombone), Ingrid Chiang (bassoon), and School of Music admissions manager Katherine Evans (trumpet) — toured Asia, performing concerts in Taiwan, Beijing, and Singapore. Turning Point also performed this year at the New Opera Days Ostrava Festival in the Czech Republic, where they premiered The Mute Canary by composer Rudolf Komourous.

At the Spectrum in Brooklyn, New York, Prof. Corey Hamm performed Frédéric Rzewski’s hour-long solo piano epic The People United Will Never Be Defeated! as the first of a series of concerts celebrating Rzewski’s 80th Birthday year. While in New York he gave a piano masterclass at NYU Steinhardt.

 

 

Catching Up with Our Students: UBC students tour with the National Youth Orchestra, the Opera ensemble visits the Czech Republic plus more

Simran Claire

Simran Claire

Six School of Music students and alumni, including Eva Toncheva (BMus’18), violin; Madelynn Erickson, violin; Nina Weber, viola; Emily Richardson, flute; Carlos Savall-Guardiola, clarinet; and Lukas Hildebrandt (BMus’18), percussion, have been accepted to the 2018 National Youth Orchestra of Canada. This summer they embarked on an exciting Canada-European tour, with stops in Ontario and Quebec and in Germany and Scotland.

John Stetch has won the BC Canadian Music Centre’s Pentland Prize, a $1,000 scholarship awarded annually to a graduate composition student at UBC, SFU, or UVic. You can read more about Stetch and his unique synthesis of jazz and classical music here.


Mezzo soprano Simran Claire (BMus'18, current MMus student) has won a position with the Glimmerglass Ensemble and will begin performing with the ensemble in June 2019.

The UBC Trumpet Ensemble in San Antonio

The UBC Trumpet Ensemble in San Antonio

Members of the UBC Trumpet Ensemble — Dasa SilhovaWilly WangMatheus MoraesErica Binder, and Shira Adam — were selected to participate in the International Trumpet Guild of Miami, Florida in June. They travelled to San Antonio from May 27th to June 3rd, attending valuable workshops, lectures, masterclasses and concerts. 


The UBC Opera Ensemble had a successful tour to the Czech Republic this past summer, where they performed Rossini’s Italian Girl in Algiers in Teplice, Decin and Jablonec. They returned to Vancouver in August to performed an evening of opera and operetta excerpts at Bard on the Beach. They were joined by members of the Vancouver Opera Orchestra. 

Silverman Piano Concerto Competition winners Benjamin Hopkins, Evgenia Rabinovich, Ayunia Saputro and Aydan Con performed iconic concerto movements with the UBC Symphony Orchestra at the Chan Centre this September. Hopkins, the grand prize winner, performed Beethoven’s Piano Concerto No. 4, while Rabinovich, Saputro, and Con played movements by Beethoven and Mozart. Watch their peformances online.

At the 2018 BC Provincial Music Festival, BMus student Julia Johnstone won first place in the National Vocal Variety category and was the runner-up in the National Classical Voice category. MMus student Thomas Law was the runner-up in the National Woodwinds category, while BMus student Braden Eguia won Honourable Mention in the Senior Piano category.

PhD student Curtis Andrews and his world jazz ensemble, The Offering of Curtis Andrews, collaborated with legendary South Indian percussionist Trichy Sankaran this September. The concert, “A World of Rhythm,” presented music rooted in South Indian classical Carnatic music, with an exciting array of rhythmic exploration, improvisation and devotional compositions.

School of Music grads win big at OSM Manulife Piano Competition

Carter Johnson

Carter Johnson

School of Music alumnus Carter Johnson (BMus’18) has just won the grand prize in the 2018 Orchestre Symphonique de Montreal (OSM) Manulife Piano Competition, with his outstanding performance of Prokofiev's Concerto No. 3 in C major, Op. 26.

The prize includes a $10,000 scholarship, a performance with the OSM in January 2019, a professional broadcast on Radio-Canada’s ICI Musique, and concert opportunities with the Orford Arts Center, National Arts Center, Northern Arts and Cultural Centre, Newfoundland Symphony Orchestra and YOA Orchestra of the Americas.

Nicole Linaksita

Nicole Linaksita

At the same competition, alumna Nicole Linaksita (BSc/BMus’16) won the Orford Music Prize, a scholarship covering accommodation and tuition for an advanced program at Orford Music in 2019.

During their time at UBC, Johnson studied piano with Prof. Mark Anderson, while Linaksita studied with Prof. Corey Hamm.

Congratulations, Carter and Nicole!