Students’ Fanfares Celebrate 100 Years at UBC
From September 2015 to May 2016, UBC has been celebrating its Centennial year, and the School of Music has played a part in the festivities. Centennial activities at the School (and beyond) included UBC Opera Ensemble’s Centennial Tour of BC and collaborations with the Beijing Central Conservatory’s Opera Centre; roundtable discussions with distinguished alumni; a free public conversation with jazz great Branford Marsalis; and ten new fanfares commissioned from alumni and current students performed by the School’s large and small ensembles. Nova Pon (MMus’15, current DMA student) and Aidan Wong (current BMus student) were among the student composers chosen to write a fanfare; Nova for saxophone quartet and Aidan for brass quintet.
For Aidan, the commission was a new experience. “I’ve composed for hire before, but those pieces weren’t necessarily commissioned works for a set ensemble. I’ve composed music for student films and art student animatics where I was given ‘more or less’ free reign. I’ve also had many friends request I compose pieces for them. Typically I’m just grateful that as a student, I have performers willing to ask for pieces and perform them at a high level and so I don’t charge for those works,” he says, considering his Fanfare his first “real” commission. For Nova it was old hat. For eight years she taught music privately and freelanced as a composer in the Calgary area, generally working on one commission or other for various musicians and ensembles.
Both composers took the commission in stride. For Aidan, the stressful thing was not composing to a deadline, but writing for brass quintet for the first time. Nova felt the pressure, but, “it’s a nice sort of pressure; like a springboard to bounce off of for ideas,” she said. “Most of my projects are like that so I’m used to it by now, and the deadline was reasonable.”
Both also found the Centennial theme inspiring. Nova researched the history of the university and took her inspiration from its coat of arms and early motto, finding the heraldic language poetic. The title of her piece, Waves azure, a sun in splendour, an open book, springs from that. “At the surface level, the piece has textures of waves that ebb and flow out of each other contrasted with bright “sunny” harmonies in shimmering textures. The idea of the open book, and phrase ‘Tuum Est’ in the coat of arms, translated as “it’s up to you” was also part of the work’s inspiration,” she says. Aidan’s Fanfare for Brass Quintet is a jovial, high energy, and triumphant fanfare, as he sought to create a celebratory energy in honour of this event.
With the ongoing Chan fanfares, UBC Contemporary Players ensemble, orchestra and wind ensemble reading sessions, and other composer’s seminar opportunities, there is no shortage of chances for students to hear their work performed at UBC and beyond. “Additionally, I find that many of the performances of my pieces have come from the connections I’ve made within the school,” says Aidan. “Opportunities come up in that manner as well, as long as you look for them!”
Other recent publicly performed works by the pair include Aidan’s several works in the final UBC Composer Concert of the school year in April, and Nova’s recent pieces for the Sonic Boom and Sound of Dragon Festivals. She’s also working on some operatic collaborations with Renaissance Opera’s re:Write workshop.